Categories – You create a Category by clicking on the Categories button and adding a new Category. You can assign each record to Categories you create. This is great for keeping track of groups of songs. You can then view and print just the songs in that Category. You can display just the songs in that Category by double clicking on the Category name on the same screen.
If you are displaying songs in a certain Category, any songs you add are automatically assigned to that Category.
To assign a song to a Category, highlight the song you want on the first Song Director screen (the screen with the toolbar buttons at the top), then click the Assign button. The Category Assignment screen appears. Double-click on a Category in the box on the left side of the screen, and that Category will be assigned to the current song. Double-click on a Category in the box on the right side of the screen and that Category assignment will be removed from the current song. You can assign a song to as many Categories as you want.
Assigning many songs to a Category, all at once
You can easily assign many songs to one Category at the same time, or remove many songs from one Category. Select and display just the records you want (see the Selecting Records topic), then choose the option “Assign Many Records to Category” or “Remove Many Records from Category” on the Edit menu. On the next screen that is displayed, select the Category from the list and choose the appropriate button.
To display all records in your Song Director database, click the Show All button. This is useful if you previously limited the records displayed by choosing a specific Category, or by specifying a Filter or by Selecting Records. http://songdirector.com/
Digital audio recordings are great until you try to sort through thousands of them to make sense of it all. Fortunately Song Director music catalog software is here to help. As well as being a music player to play the songs the way you want them to be played.
Below is a great article about digital audio recordings:
The death and life of digital audio
By Jonathan Sterne
For many years now, critics have written of digital audio recording – in its myriad formats – as less ‘live’ or less ‘natural’ than analogue recording. By implication, these critics suggest
that digital audio is closer to death. Taking the metaphysical assumptions behind such claims as its starting point, this essay analyses three key elements of digital audio:
temporality, definition and mobility. By troubling the notion of time as a continuous linear flow, and by troubling the idea that all analogue media share this continuity with ‘natural’
time, it is argued that digital recordings have as legitimate a claim on sonic experience as their analogue counterparts. The argument about experience extends into a consideration
of the problem of sonic ‘definition’: the range of possible pitches and volumes in a given recording. Higher definition does not necessarily make a recording more lifelike. Finally, the contexts in which recordings are generally heard today mitigate against the idea that
they must aim to perfectly reproduce a live performance. Rather, their liveliness should be judged by the degree to and manner in which the recordings themselves circulate. Judged
by their social lives, rather than by a dubious metaphysics, digital recordings are at least as lively as analogue recordings ever were.
The best music management software. Providing a Music database of your songs. Song Director for Windows can manage and play all your iTunes files in a easy way. Song Director can also replace iTunes for many functions.
Below is a good article for all you iTunes users out there:
Mastered for iTunes:
by the Apple Corporation:
Whether you’re a major label or a small indie, you provide the most important ingredient for iTunes—the music itself. It’s our job to faithfully and accurately deliver your songs and albums to fans around the world exactly as you intend them to be
heard. We’ve designed our tools to facilitate the best possible results, ones that live up to your highest standards for music available on the iTunes Store. To achieve this transparency, you need tools and technologies from us to ensure delivery of the highest
quality master recordings possible into our ecosystem. With over 315 million iOS devices.
Song Director Software will automatically enter all your digital audio files into a database for easy cataloguing, sorting, and organization. Song Director is also a music player allowing you to create playlists of songs. Download Song Director now for free!
Here is a good aticle on lossless audio compression
By: Mat Hans and
Ronald W. Schafer
Although lossless audio compression is not
likely to become a dominating technology,
it may become a useful complement to lossy compression
algorithms in some applications. This is because,
as we will see, lossless compression algorithms rarely obtain
a compression ratio larger than 3:1, while lossy compression
algorithms allow compression ratios to range up
to 12:1 and higher. For lossy algorithms, the higher the
compression ratio becomes, the lower the resulting final
audio quality, but when the lowest possible data rate is required,
lossy techniques are the only alternative.
However, lossless audio
coding of stereo CD quality digital audio
signals sampled at 44.1 kHz and
quantized to 16 bits could become an essential
technology for digital music distribution over the
Internet because some consumers will want to acquire the
best possible quality of an audio recording for their
high-fidelity stereo system. Lossy audio compression
technologies such as MPEG or MP3 may not be acceptable
for this application.
Song Director Music Database Software for Windows can Catalog and organize your digital music collection. Download it for free here
EVERYTHING YOU NEED TO KNOW
ABOUT VINYL, CD’s AND AUDIO FILES
BY JAY MILLAR (UNITED RECORD PRESSING)
I’m sure you heard about the
resurgence of vinyl or possibly
perused the Billboard cover story on the marriage of vinyl and digital. It’s true, vinyl is back… not that it ever went anywhere, but in a time when physical music sales are shrinking, vinyl is experiencing a real period of growth.
From vinyl’s big comeback to the time restrictions of a 45 RPM 7”.
Hopefully you will find this helpful as you’re putting together your first or next vinyl project. Enjoy.
vinyl, it’s the new vinyl!
These days one of the most common questions I get is what is causing the big vinyl comeback? Oddly enough I don’t think it’s what happened to vinyl that’s causing the comeback, it’s what happened to digital. First, for many audiophiles and DJs, vinyl never went away. For others, such as myself, it’s the emergence of the MP3 that brought vinyl back. Plain and simple, there’s no need for discs to be compact any longer so some folks are ditching their CDs in favor of the warmth of vinyl and the convenience of MP3. CD has its advantages and if there was only one format, CD would probably make the most sense as you get a tangible item, artwork and a reasonable level of compactness. That said, with the emergence of digital, things have changed and the ideal situation now seems to be having your iPod or MP3 player for times that require portability (the car, the gym etc.) combined with vinyl for the peak experience at home. If you’ve got vinyl and an MP3 you’ve got everything you had with the CD but the artwork is larger and the sound is warmer and somehow more intimate. Plus listening to a CD (or MP3 for that matter) is a common daily background activity but listening to vinyl is an event.
Song Director organizes MP3 and most music formats for digital music. Below is a good paper explaining MP3 and AAC music formats which Song Director can help organize for your music collection. You can download Song director for free here
MP3 AND AAC EXPLAINED
by KARLHEINZ BRANDENBURG1
MPEG AND INTERNET AUDIO
The proliferation of MPEG coded audio material on the
Internet has shown an exponential growth ”MP3” has
been featured in numerous articles in newspapers and periodicals
and on TV, mostly on the business pages because
of the potential impact on the recording industry.
While everybody is using MP3, not many (including
some of the software authors writing MP3 encoders,
decoders or associated tools) know the history and the details
of MPEG audio coding. This paper explains the basic
technology and some of the special features of MPEG-
1/2 Layer-3 (aka MP3). It also sheds some light on the
factors determining the quality of compressed audio and
what can be done wrong in MPEG encoding and decoding.
Why MPEG-1 Layer-3 ?
Cataloging (or cataloguing) of all types of digital music files can be done easily with Song Director database software. These music files can be in many different formats such as (MP3, M4a/AAC, iTunes, WMA, WAV, OGG and FLAC files)
There is no better way to organize different music files than with Song Director Software. And best of all it is free to download and use. Song Director is also a music player and can create advanced playlists.
Below is a good article by Myongsu Park comparing music formats being used today:
Comparing Music File Formats
A lot of people surf the Internet to find music. Many sites the Net surfers visit contain links to music or other listening material samples.
Unfortunately it is highly likely that the unwary surfers click a music file to find a very large music file downloading and the computer frozen due to the gigantic
music file size. There exist a variety of sound file formats among which an mp3 enjoys its high
popularity. MP3 files are ubiquitous on the Net and it is no exaggeration to say that the MP3 is now a household name in the world. People, however, enjoy an
mp3 music file without knowing what it is and its strengths and weaknesses in comparison other popular music file formats.
In this regard, I would like to provide background information and guidance about the most commonly used sound formats for music clips available on the Net and
to offer usability pointers for an improved Web audiophile experience.